Rudolph the Deep Throat Reindeer (parody of Rudolph the Red-Nosed Reindeer).
I Saw Mommy Fucking Santa Claus (parody of I Saw Mommy Kissing Santa Claus).Drunken Santa's Coming to Town (parody of Santa Claus Is Coming to Town).I did not have an agenda for Christmas, that’s for sure.Rogers performed vocals on I Saw Mommy Fucking Santa Claus, Suck On My Cock, and I Love To Choke My Chicken With My Hand, while an uncredited female vocalist performs the other songs (although Rogers provides additional voices in Drunken Santa’s Coming to Town, Rudolph the Deep Throat Reindeer, and Frosty the Pervert). “I was trying to do the best research that I could and write it up. “I was doing what an academic does,” said Hamill. “If anything, this irresponsible reporting has drawn more attention to an academic article that would usually just sit in a journal that very few would read,” she said.ĭays into the backlash, she had no regrets about publishing the work. Ironically the controversy has sent interest in her research on Jingle Bells soaring, placing it currently among the most-read articles on Cambridge University Press. “So I think people just want to be heard and nobody seems to be listening any more.” “Despite the fact that a lot of the hate mail was really horrible, people just want to communicate and they’re stuck in this echo chamber,” she said. She replied to a few of the emails, at times receiving an apology. Others tried to reach her by phone or through social media. Hundreds of hate-laced emails filled her inbox. Her name soon became a hashtag on Twitter, racking up tweets as users opined on her findings. “Which seems to be what extreme political outlets want to do.” She had never said that Jingle Bells was now racist nor had she sought to discourage people from singing the tune, she pointed out. “It was obviously an easy way to bait and politicise Christmas,” she said. Hamill said much reporting of her research was incorrect and laden with “all sorts of absolutely absurd” accusations. Breitbart warned that Hamill was urging people to “shun the jaunty tune”. “Newest Christmas controversy has social justice warriors claiming this classic holiday carol is racist,” a Fox News host told viewers earlier this month. This year, however, was a different story. Last year she detailed her findings to local media, yielding a front page story in the Boston Globe and no backlash.
“Pierpont capitalized on minstrel music and entered upon a ‘safe’ ground for satirizing black participation in northern winter activities,” she wrote.
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The song was written by James Pierpont, who badly needed work after failing at several other professional ventures. Hamill published the findings in a peer-reviewed paper in September, noting that during the past 160 years the song had become an example of music whose “blackface and racist origins have been subtly and systematically removed from its history”. The song, initially known as One Horse Open Sleigh, was first performed in blackface in a minstrel show in Boston in September 1857, she discovered. Hamill had probed the origins of the popular carol, hoping to settle a friendly rivalry between Medford, Massachusetts, and Savannah, Georgia, over where Jingle Bells was written.Ībout two years ago she stumbled across a rather different story. “I was told that I was trying to ruin Christmas for children who weren’t allowed to sing the song any more and that I was ruining the Jingle Bell festival in our town.” Hate-filled emails flooded her inbox, Hamill of Boston University told the Guardian.