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Rumi has been described as the "most popular poet" and the "best selling poet" in the United States. His poems have been widely translated into many of the world's languages and transposed into various formats. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turkish, Greeks, Pashtuns, other Central Asian Muslims, and the Muslims of South Asia have greatly appreciated his spiritual legacy for the past seven centuries. Jalāl ad-Dīn Muhammad Rūmī (Persian: جلالالدین محمد رومی), also known as Jalāl ad-Dīn Muhammad Balkhī (جلالالدین محمد بلخى), Mawlānā (مولانا, "our master"), Mevlânâ, Mevlevî (مولوی Mawlawī, "my master"), and more popularly simply as Rūmī (1207 – 17 December 1273), was a 13th-century Persian poet, jurist, Islamic scholar, theologian, and Sufi mystic.
#Rumi the guest house urdu poem movie#
Put down the ladder and collect the pieces, please.įrom wherever spring arrives to heal the ground,įrom wherever searching rises in a human being.Jim Clark the Re Animator - The Guest House - Rumi - Poem Animation - Here's a virtual movie of the 12th Century Persian Poet and Mystic Rumi reading his much loved philosophical "The Guest House" This reading ends part way into the poem,but encapsulates the essential meaning of the poem - To always endeavour to Keep an open and welcoming heart" When all parts are accepted or integrated, the house welcomes all guests. Conversely, when disowned parts of self are recognized and integrated into conscious awareness, we become a more whole version of ourselves. They demand to be recognized despite our attempts to repress them. When feelings are disowned and banished to the unconscious, they exert undue influence on our lives. I think the poem ties in beautifully with Jung’s concept of the shadow. Rumi validates my own life experience and inner knowing, reminding me to be grateful for all my inner family, the dark and the light, the shame and the triumphant spirit, the malice and the generosity of spirit.
#Rumi the guest house urdu poem full#
Admit all feelings to the banquet of love or else they will destroy you by their insistence to be recognized, embraced and admitted to full conscious awareness. Rumi’s poem reveals the truth that being human is messy. It isn’t in being lovable that he found release, but in being unlovable that he could step into a new self definition. Only when he allowed himself to be revealed authentically, could he be released from his prison of shame and self judgment. Only when he could love his shamed self could that self be transformed. He thought he was unlovable with his unacceptable desires to love other boys. When I allowed my deep toxic shame to see the light of day, for my own exiled self to be embraced, only then could the shamed little boy be allowed to heal by feeling loved as he is. The only way I can know the truth of Rumi’s poem is by its relevance to my own life journey. When the visitor is given welcome, a new dispensation is permitted.
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When each is admitted and embraced, the prodigal son comes home. All the ugly children, the orphans, only want to be admitted into conscious awareness and no longer considered unlovable. When we look the dark thought in the face, allow the shame to be loved, it ceases to demand our attention. The shadow and the light carry equal weight.Īlthough he doesn’t expressly say it, implicit in his poem is the truth that emotions that are repressed come back to haunt us in malicious forms. Accepting each state is accepting the entirety of one’s being. Accept and honor them all, he says, because each portends a new state of being. One moment is joyful, another is depressed, even meanness demands attention. All emotions are valid and indeed desirable, even those we wish to evade. None of it is to be discounted as unnecessary or even avoidable. In the Guest House Rumi is telling us that the entirety of human experience is valuable.
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(The Essential Rumi, version by Coleman Barks) The following poem and essay were published in the Ashland Daily Tidings, May 5, 2012